Paper dolls and the flip side

Here is the latest paper doll. I've taken this one one small tiny step further by choosing pink as the color of the embroidery thread rather than green. Pink and this green are a complimentary discord, a term color theory fans are probably familiar with. This is because red and green are complementary colors, as they sit opposite each other on the color wheel. But they also become a discord when the value of the colors, (meaning the lightness or darkness) are changed. Red, in it's pure form is a darker value than green in it's pure form, so when you lighten one, or in this case both, so that they are of similar value, or the red (pink) is even lighter than the green you get a discord.

I have always been color theory obsessed, it may even be a medical condition.

And, I have to announce, this is the first piece I have done as a "grown up" that has a touch of that dreaded craft supply...glitter! Cheap? Maybe. Tawdry? Possibly, but I must say I do like it in this case!

And I often have people browsing through these little pieces at a show, and they often can't really tell what they are. Is this paint? Do you use glue? Possibly just a general need for reading glasses, but I thought I'd show you the flip side. All the embroidery work is stitched through the paper, as are the beads and buttons. These little babies routinely take 3 hours or more to complete. Fortunately though not all this needs to be done in studio, I'll often stitch these while Scott is driving the van to a show, or in the hotel room, wherever that is, even at a show if the crowds are light.

That's it for now, have a great day!

The paper dress blues

One of the things that I like about this blog is that I can post something whenever I start down a new road. It doesn't have to be major, something worthy of a whole new web page, just something like this. This little paper series that I've been doing along with the big dresses on canvas has taken a little shift. Rather than strictly using paint, I've started to collage art papers on top of the pattern pieces. This opens up a whole bunch of decorative possibilities, and gives me a good excuse to buy some of the beautiful hand made papers at the art supply store!

And little ideas rarely stay little for long, my mind is already mulling over ways to expand on these. I guess that's why they call it a creative process, one thing always seems to lead to another.

This piece is 5" square and framed in acid free materials. Sold

Good Show

Good Show! As children, putting on a show was one of the highlights of visiting my grandparent's house. My cousins, my sister, and I would arrange variety shows and fashion shows where we would parade through the living room dressed in Grandma's and even Great Grandma's stored away treasures. Singing, dancing, it was a hoot. And we certainly weren't alone. Many women come into my booth and tell me their similar stories when they see this piece. The photo transfers are of my mother and her cousins doing the same thing about 20 years earlier. The dress is from sometime in the 1950's, and the little lines of red stitching in the background represents the imaginary red velvet curtain. Although we all know that bed sheets on the clothes line work just as well!

Good show is 24" square, and will be showing with the rest of my work tomorrow and through the weekend at "Main St. Fort Worth" in Ft. Worth Texas. Hope to see you there!

"Good Show" has sold (yay!)

Motormouth

Motormouth made it to Houston! She arrived unfinished, the stitching of her name across the top, and placing and sewing on the buttons took place at our studio annex, in this case a Crown Plaza just off I-59. The background, a series of stamped "M's" not only stands as initials MM=motormouth, but is much more amusing if thought of a little more phonetically. Try this, say the name of the letter, sounds like "em" and repeat "em em emm emmmmmmm."

Motormouth is stitched through the acrylic transfer of the engine block, and the scattered pattern of dots on her dress are actually the shapes of gears, or flywheels, or whatever you'd call those things with teeth. My Dad was the mechanically inclined one, not me! The dress itself was a 50's vintage smocked dress by Polly Flinders, a name many girls who grew up in the east are familiar with!

Below is a photo of my booth at the Houston show. The weather was fantastic, there is nothing better than putting on sunscreen after a long cold winter! Motormouth was a hit, even though she didn't find a new home. Her buddy "Goody Two Shoes" did, and I was a little sad to see her go. We will be returning to Texas in just a few days as I will be showing in Main St. Fort Worth. Hope to see you all there!

Motormouth is available for $1400

Nest

Nest is a new, and already sold, addition to my "Bird in the Hand" series. The star is a female cardinal, so unremarkable next to her crimson counterpart. Yet when placed alone on a neutral background, her colors start to sing. Mossy greens, touches of brick red, the same bright red beak as the boys. I placed her on a background of vintage patterns, underscoring the instinctive need to build, create, and fluff up our homes, both for the birds, and us. The polka dot pattern on the glove is actually a scattering of egg shapes, a sign of hope, and faith in the future. You go girl! Nest is 12" square.

Chatterbox

As often as I have a painting that I struggle with, I have one like this that just falls together before my eyes. The bulls eye begins where her mouth would be, sort of an epicenter for all the noise. All the collaged bits of type came from vintage magazines. I use acrylic transfers, rather than collaging the old papers for conservation reasons, collaged papers disintegrate quickly, and the acid released in the process can "burn" other parts of the painting. So I transfer the ink into acrylic paint, and wash the paper away. Chatterbox was stitched with a running stitch, and then painted, there is a bit of pearlescent paint in there, to tie to the mother of pearl buttons.

There aren't many ways I can get away with using pink that doesn't come across as super sweet and girly, but a strong element such as a bulls eye seems to be the answer in this case!

I showed this piece for the first time in Tampa, and spoke with many people about the process. The question posed as often as others is "where do you get all your ideas?" I guess the simple answer is I am always, always, always, looking for them. They arrive most often as I am about to fall asleep, or in the car, very rarely when I am sitting at the drawing board searching for one. Often times the answer to one problem comes when I am working on another. And sometimes they come from you. A fellow walked through my booth, saw this piece and said, "ya oughta do one called motormouth..." And he was gone, I don't even remember what he looked like, my head just instantly filled with the possibilities for a "motormouth" painting. It's not quite on the drawing board yet, but I am gathering the elements, look out world!

This "Chatterbox" has sold (yay!)

Good Egg

Good Egg was a greedy, greedy painting. One of those you have to wrestle into submission. It took days longer than I had anticipated, all the while Scott is shaking his head. Why do I make it so difficult?

This piece is 36" square, the dress sits to the left, so what to do with the right side? Well, I knew she was to be "Good Egg." So I began collecting anything egg related. The first thing was to find egg related literature in a 50's vintage farmers almanac. These pages were made into acrylic transfers, a multi step process that transfers the printing ink into layers of acrylic medium. These transfers are applied to the primed canvas. Over this, I used text from a cookbook and painted the words using a negative painting technique, essentially painting around the letters, letting the first layer come through. The outline of the word "good" is lightly drawn on the canvas with pencil, and the stitching begins...



Once the stitching was finished it needed more, it just wasn't visible enough, so I painted the insides of the letters a similar yellow, just for definition. Buttons were sewn through the canvas to make this retro oval shape which helped tie all the different elements together.

This is a detail of the stitched egg cup, you can see the layers showing through. I used transparent and semi transparent layers of paint to add definition.

This is the finished result, the eggcups are transparent, allowing the original pattern of the dress to show through. This is the first time I've done this, and in this case I like the result. The eggs themselves have a wash of white over top. The new pattern of yellow dots is painted over the dress. And the deviled egg was painted in the top right hand side.

So why "Good Egg?" I guess this is really a painting about my relationship with my Grandmother. "You're a good egg" is one of her higher compliments, and boiled eggs in egg cups were one of her breakfast specialties when we stayed at her house... Strawberry shortcake was another, but that's a whole new story! My Grandma is weeks away from her 90th birthday, she will celebrate with my Grandpa who passed that landmark a couple of years ago.

Good Egg is available at $3000

Bird in the hand "Chatterbox"

Chatterbox is the newest addition to my "bird in the hand" series. It is 12" square on a gallery wrapped canvas. The background is a pattern made by the repetition of "la la la la." The vintage glove has been painted bright red, to match "chatterbox" which has been sewn through the canvas with embroidery floss. Just as a side note, embroidery floss is catalogued by number, so those who cross stitch patterns will know what color to use where, well DMC, the manufacturer of this floss numbered this color red 666, coincidence? Perhaps they have a sense of humor!?

In any case, the little bird is some variety of wren, I love birds and can pick out a few, but I'm not quite sure on this one. In any case, this little bird has quite a voice, a true chatterbox.

After all the stress of getting ready for, and doing a show, I often arrive back in the studio pretty burned out. I find these small pieces are a good way to get back into the creative swing of things, like a warm up for the next marathon. Well, I'm part way into the next marathon as it were, "Good Egg" is on the easel, I'll post about her soon, perhaps with a few shots in progress!

"Chatterbox has sold, (yay!)

Goody Two Shoes

Goody Two Shoes was finished just in time for the show at Boca Raton! The interesting thing about this piece is all the layers. The blocks in the background alternate, there are photos of vintage shoes cut in with opaque paint, then finished with a pattern in pencil. And the 2's are stenciled over photo transfers of pages from an etiquette book from the 1920's. The sailor dress sits on top, and "goody goody goody" is stitched through the top with bright green embroidery floss.

I am interested in looking at what the ideal of being "good" is all about, especially in the context of being a "good girl." How can you be good, without being so good as to be a goody two shoes? Who decides what the rules are? And how do we know when they change?

Goody Two Shoes is 30" square on canvas, and is sold.

A commission

Even though my main body of work is often cheeky, perhaps even a bit irreverent, my commission work is almost always sweet as pie! A baptismal dress was my beginning point, and we decided on robin egg blue should be included somehow. After that I was pretty much on my own. The dress itself has lots of pretty bits of embroidery throughout, so I decided to use a similar floral pattern in the background. Many layers of paint, often in alternating layers of glazing and dry brush are applied. The final touch is a hula hoop shape of embroidered nicknames. This piece was finished late yesterday, the client was thrilled, and the piece is already home!

Now I am up to my elbows in the next one...not quite so sweet! "Goody Two Shoes" is on the easel, I'll post again when she's done!